Constellation Moving Company

Aerial-Dance-Theater Assemblage

PROJECTS OF THE NEW ERA: 2025-

other worlds:stories for future ancestors part ii

October 9-12, 2025

Presented by Theater for the New City, Executive Artistic Director Crystal Field

View PROGRAM here

Medea Exogiinos, Summer Lacy, Wendy Louie, Lisa Natoli, Maia Ramnath. Photos by Mikhail Lipyanskiy

PROJECTS OF THE FIRST ERA: 2010-202

Conference of the Birds (the lost production)

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This show was set to open just as the pandemic shut down venues all over the city. Although it was never performed, this video preview streamed as part of TNC’s on-line 2020 Lower East Side Arts Festival, May 22-24.


Constellation at the DZUL INTERNATIONAL DANCE FESTIVAL

Collapsing to Expand—Unfolding Sky—Bird Studies—Fidelio

in Campeche, Mexico, November 25-20, 2019
Choreographed and performed by
Scott Combs, Medea Exogiinos, Summer Lacy, Maia Ramnath

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VESPERS

A journey through a shadowed landscape. A ritual for finding light in the darkness.  A walking meditation as night comes on.  A collective refusal to give up or give in.  An exploration in aerial, dance and film.  

Presented through the Artist in Residency program at The Muse, October 6-7, 2018

Choreography, text and video by Maia Ramnath with additional movement by the cast

Performed by Scott Combs, Wendy Louie, Medea, Leah Newcomb, Krista Perks, Mariana Plick, Maia Ramnath, Sarah Wollschlager

Photos: You Bin

CHROMOLUMINARISM

in collaboration
with poet Susan Brennan and designer / video artist Crystal Thompson

October 19-22, 2017 
presented by Theater for the New City, Artistic Director Crystal Field



PATHWAYS (PARTIAL VIEW) APRIL/MAY 2016

PATHWAYS (PARTIAL VIEW)
APRIL/MAY 2016

MYSTERY BALLET THEATRE 3K  DEC 2013

MYSTERY BALLET THEATRE 3K
DEC 2013

HOME FEB 2012

HOME
FEB 2012

CHROMOLUMINARISM  FEB 2015

CHROMOLUMINARISM
FEB 2015

TIME CO/LAPSE  JAN 2013

TIME CO/LAPSE
JAN 2013

XENOPHILIA  NOV 2011

XENOPHILIA
NOV 2011

TRENCHES  NOV 2014

TRENCHES
NOV 2014

TIME PIECES JULY 2012

TIME PIECES
JULY 2012

MODERN TIMES AUG 2010

MODERN TIMES
AUG 2010


We produce every play on the assumption that it will still be unfinished when it appears on the stage. We do this consciously because we realize that the crucial revision of a production is that which is made by the spectator.
Vsevolod Meyerhold