Constellation Moving Company

Aerial-Dance-Theater Assemblage

PROJECTS OF THE NEW ERA: 2025-

other worlds:stories for future ancestors part ii

October 9-12, 2025

Presented by Theater for the New City, Executive Artistic Director Crystal Field

View PROGRAM here

Medea Exogiinos, Summer Lacy, Wendy Louie, Lisa Natoli, Maia Ramnath. Photos by Mikhail Lipyanskiy

Photos by Mikhail Lipyanskiy

PROJECTS OF THE FIRST ERA: 2010-2020

Conference of the Birds (the lost production)

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This show was set to open just as the pandemic shut down venues all over the city. Although it was never performed, this video preview streamed as part of TNC’s on-line 2020 Lower East Side Arts Festival, May 22-24.


Constellation at the DZUL INTERNATIONAL DANCE FESTIVAL

Collapsing to Expand—Unfolding Sky—Bird Studies—Fidelio

in Campeche, Mexico, November 25-20, 2019
Choreographed and performed by
Scott Combs, Medea Exogiinos, Summer Lacy, Maia Ramnath

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VESPERS

A journey through a shadowed landscape. A ritual for finding light in the darkness.  A walking meditation as night comes on.  A collective refusal to give up or give in.  An exploration in aerial, dance and film.  

Presented through the Artist in Residency program at The Muse, October 6-7, 2018

Choreography, text and video by Maia Ramnath with additional movement by the cast

Performed by Scott Combs, Wendy Louie, Medea, Leah Newcomb, Krista Perks, Mariana Plick, Maia Ramnath, Sarah Wollschlager

Photos: You Bin

CHROMOLUMINARISM

in collaboration
with poet Susan Brennan and designer / video artist Crystal Thompson

October 19-22, 2017 
presented by Theater for the New City, Artistic Director Crystal Field



PATHWAYS (PARTIAL VIEW) APRIL/MAY 2016

PATHWAYS (PARTIAL VIEW)
APRIL/MAY 2016

MYSTERY BALLET THEATRE 3K  DEC 2013
HOME FEB 2012
CHROMOLUMINARISM  FEB 2015
TIME CO/LAPSE  JAN 2013
XENOPHILIA  NOV 2011
TRENCHES  NOV 2014
TIME PIECES JULY 2012
MODERN TIMES AUG 2010

We produce every play on the assumption that it will still be unfinished when it appears on the stage. We do this consciously because we realize that the crucial revision of a production is that which is made by the spectator.
—Vsevolod Meyerhold